See, the fucked up thing is that most "casual" types don't really listen to rap. That's why so much pop-hop fare is really really beat-and-hook intensive, is basically to sell records on a mass scale you want the beat to kick their ass and then give them a hook they'll remember and maybe 1-2 lines to go "OH OH OH WAIT HERE IT COMES" thats how it works.
Look at Flo-Rida and his YOU TURN ME RIGHT ROUND RIGHT ROUND shit... that beat is a fuckin superproduced roller and they jacked that early/mid 80s new-wave hook YOU TURN ME RIGHT ROUND RIGHT ROUND to get everyone hooked, and then really, I've prolly heard the song some 50 odd times and I have no idea what the fuck the guy is saying. Sure, he seems to snap and do a doubletime exercise on top of it, but really, that doesn't sell the song whatsoever.
I'm not implying that you need to straightup get on that grizzly and go WHERE MY DOGS WHERE MY DOGS WHERE MY DOGS AT?!?!?! or do some super-hard/esque stereotypical black thug voice where you're like shouting at the mic (in fact, it genuinely amuses me how many pop-hop rappers merely shout into microphones when they do their song live... luda was a bigtime example of this circa ~05-07. his live appearances on mtv and shit would make me LOL) and hell, some of the people i'd characterize as rap gods are the same way... gift of gab of blackalicious has that happen, but namely cuz it's almost impossible to belt out ~30-45 minutes of near/doubletime rhymes with multisyllabic words and tung twistin rhymes one take no mistakes... so you end up sacrificing vocal inflection in the live show for being on time and saying the words that, ideally, your audience is already singing along to.
but as i said, in your case you're clearly early on in your journey and the fact that, semantically speaking, your rhymes are indeed "tight" as you've structured them well you often hit a rhyme 3-4 times in a good line and end up having a lyrically-intensive style you're ahead of the game. I dunno how long you've been doing this for, nor am I in some position where I'm a high and mighty judge of all things quality in the rap world (especially given my aformentioned sporadic forays into the artform) but you've definitely started off with the right foundation to where you're going, and i think as you heed the stereotypical advice of "keep on keeping on" your voice will naturally develop and flourish as you get more and more comfortable with the concept of performance.
I dunno if you'd agree with me, but I've long said that rhyming is the easiest part of rapping. it's the whole rap-PER part of the thing where you take all of the lyrics and rhymes and package them up in, dare i say, a brand and get to the point of cutthroat delivery is the hard part. i mean, i'm not as far as you are in "the game" but for me the most gut-wrenching part is getting on that stage grabbing the microphone staring down the audience and belting out something that i believe in, cuz for me I'm all lost in my own head thinking i'm a piece of shit i'm this i'm that hyperanalyzing all of my flaws caught up in that... and really, there's merit to what eminem said in lose yourself... that song got played the fuck out on pop airwaves, but it's a very very good song that doesn't lie to you. at his core buried beneath all of the bullshit to become a hundred-millionaire, there is a real dude down there.
in parting, here's a quote from teh end of aceyalone's verse on
project blowed's "treble and bass" (i linked to it cuz like, at least for my tastes, his style is like that old sun tzu quote where it's like water in that it flows without form, but when it finds enough form diving 5000ft down onto it is like hitting a concrete surface]
aceyalone wrote:
writin' and recitin' is the easy part
to have a little style is the hard part
I'm moving like an aardvark
screamin at you marks from the jump start
I'm ready after dark so spark
up an L, now what the hell?
you've been here before, you know how it goes
_________________
Curious Hair wrote:
Les Grobstein's huge hog is proof that God has a sense of humor, isn't it?